11/30/2023 0 Comments Gladys george![]() ![]() On George's return to Hollywood, she was still under contract to MGM, but they loaned her to Paramount for what would be one of her biggest personal hits, Valiant Is the Word for Carrie (1936). Fortunately, the play's success kept her away from Hollywood until the scandal blew over. George lived up to the role off-screen when her husband caught her in an affair with co-star Leonard Penn, who would become her third husband. Then it was back to Broadway for her biggest stage hit, playing the temperamental, hard-living film star in Personal Appearance (Mae West would re-write the script and play George's role in 1936's Go West, Young Man). She also returned to Hollywood for a colorful supporting role as a gangster's moll in MGM's Straight Is the Way (1934), starring Franchot Tone, May Robson and Karen Morley. ![]() Fowler, and had returned to Broadway, albeit briefly, in the flop Queer People. They would divorce in 1930.īy the early '30s she had a rich husband, millionaire industrialist Edward H. She also married her first of four husbands, actor Ben Erway. Instead, she returned to the stage, where it was easier to cover up the scarring while she healed. She was building a solid career in silent films, thanks largely to her youthful blonde beauty, when an accident that left her face severely burned brought an end to that phase of her career. In 1919, George made her first trip to Hollywood, where she made her screen debut as the romantic lead in Red Hot Dollars (1919), opposite Charles Ray. She refined her technique working with Frederick and also found her type - as bubbly ingénues, particularly society girls. George then had the good fortune to sign with actress Pauline Frederick's touring stock company. Rather the cast included Augustin Duncan, Henry Travers and a very young Lillian Roth. She never really stopped working, making her Broadway debut in an adaptation of Maurice Maeterlinck's The Betrothal in 1918, though not, as some sources suggest, opposite Isadora Duncan. By the time she was three, she was part of the act, touring vaudeville theatres with The Three Clare's (her parents' professional name). She was born to a family of British actors touring in Maine in 1900. George's consistency may be a result of her theatrical upbringing. Unlike other notorious party girls - including Barbara Payton and Lila Leeds - she consistently delivered solid performances over the course of a half-century career. After the 1950s, she shifted her focus to television.Gladys George was one of the movies' greatest hard-luck dames, both on- and off-screen. However, she is best renowned for her remarkable performance as widow Iva Archer in John Huston’s film noir ‘The Maltese Falcon.’ ‘The Way of All Flesh’, ‘The Roaring Twenties’, ‘Marie Antoinette’, ‘Flamingo Road’, and ‘Detective Story’ are among her other significant films. ‘Madame X’ and ‘Love is a Headache’ are two other films in which she stars. Her exceptional portrayal as Carrie Snyder in the drama film ‘Valiant Is the Word for Carrie’ won her the film’s solitary Academy Award nomination for best actress. She began her film career with silent pictures and progressed to talkies. ![]() ‘Lady in waiting’ and ‘The Distant City’ were two of her other memorable ‘Broadway’ productions. Her impeccable comic timing contributed to the play’s immense success, which not only saw it produced 501 times but also began Riley’s career as a playwright. George’s most memorable stage performance remains in playwright and screenwriter Lawrence Riley’s comedy ‘Personal Appearance,’ which was produced on ‘Broadway. While still in her teens, she made her ‘Broadway debut with the play ‘The Betrothal. Born into an acting family, she made her professional debut as a three-year-old with a family act called ‘The Three Clares’. However, she is best remembered for her extraordinary performances as a character actress in Hollywood films throughout the 1930s and 1940s. Gladys George was an American theater and film actress who starred in both silent and talkie films. ![]()
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